Des artifices théatraux ontologiques : sur les travestissements de la réalité dans l oeuvre de Michel Tremblay
| Autoři | |
|---|---|
| Rok publikování | 2016 |
| Druh | Kapitola v knize |
| Fakulta / Pracoviště MU | |
| Citace | |
| Přiložené soubory | |
| Popis | The costume and the theatre scene seem to play the main role in the literature universe of Michel Tremblay: the text serves as the intermediate of the delay from the reality and its subsequent transformation in the illusory world of the “artificial” words. Because the text and its theatre representation enable the “realization” of the dreams about the ideal existence which all the Tremblay´s characters try to gain or create. Thus, our article - with the help of the Michel Foucault’s theory - tries to present the main “artifices” which mould the creative proceedings of Michel Tremblay and to think about its ontological significance. Therefore, we outline the Tremblay´s notion of the mise en abyme and the interpretation of the reality. |
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