Dion Boucicault's The Octoroon as a case for stirring up the debate over abolition of slavery

Warning

This publication doesn't include Faculty of Education. It includes Faculty of Arts. Official publication website can be found on muni.cz.
Authors

KAČER Tomáš

Year of publication 2015
Type Appeared in Conference without Proceedings
MU Faculty or unit

Faculty of Arts

Citation
Description The Octoroon (premiered in New York in 1859) by the Irish, and later naturalized American playwright Dion Boucicault, is in principle a harmless melodrama—save for a potentially explosive element, an interracial couple. Its staging directly before the outbreak of the US Civil War contributed to stirring up the debate over the abolition of slavery. The paper investigates the aesthetic, political and personal reasons why he originally resisted to change the play into a melodrama with a happy ending.
Related projects:

You are running an old browser version. We recommend updating your browser to its latest version.